- BROADCAST LIVE WITH SWITCHER STUDIO HOW TO
- BROADCAST LIVE WITH SWITCHER STUDIO TRIAL
- BROADCAST LIVE WITH SWITCHER STUDIO ISO
- BROADCAST LIVE WITH SWITCHER STUDIO PROFESSIONAL
- BROADCAST LIVE WITH SWITCHER STUDIO TV
BROADCAST LIVE WITH SWITCHER STUDIO TRIAL
There is also a seven-day free trial available at Switcher Studio’s flagship product allows users to create TV-style multi-camera productions using iPhones and iPads. Switcher Studio 3.0 is available immediately on a monthly subscription model, and is priced at $25 per month, or for an annual rate of $299. Switcher Go’s connection creates a roaming cameraman effect for mobile productions when using the two products together. Using Switcher Studio and Switcher Go together, events and pre-planned productions with a fixed Switcher Studio setup can tap into individual creators using Switcher Go to share video from their perspective. Together, Switcher Studio 3.0 and Switcher Go make up the Switcher Platform for mobile video creators who are actively producing wireless multicam and single-cam live or recorded video productions.
BROADCAST LIVE WITH SWITCHER STUDIO ISO
New slider controls provide users with simple access and control, including zoom accelerator depth of field, exposure, white-balance, color balance, ISO and shutter speed. Version 3.0 also includes the addition of “Grey Card” features for quickly matching color between multiple cameras. The new version offers precision control of advanced camera settings with a new menu system featuring sliders for each option.
BROADCAST LIVE WITH SWITCHER STUDIO PROFESSIONAL
Switcher Studio, which makes apps for professional multi-camera productions using iPhones and iPads, has come out with Switcher Studio 3.0. He has over 10 years of experience in video streaming, online monetization and new technologies. Nick Mattingly is the CEO/co-founder of Switcher Studio. If future tests prove successful, WWE could use this new mobile setup to provide more content to their fans–building new revenue streams along the way. This will be especially helpful for editors, using tools like Adobe Premiere or Avid Media Composer. Moving forward, we plan to make further improvements to the post workflow. After the event the line cut and a ISO from each angle was sent to the WWE post team in the United Kingdom. The operator made edits in realtime to generate a line cut. WWE setup a local WiFi network for the event to wirelessly sync cameras. Another camera operator captured performer entrances and crowd reaction shots. Meanwhile, two camera operators captured wide shots of the ring. To ensure the devices had enough power to make it through the four-hour-long event, iPhones were attached to batteries.
BROADCAST LIVE WITH SWITCHER STUDIO TV
The WWE crew had three camera operators from their TV productions to run iPhones in and around the ring. They were also able to talk with the camera crew and “direct” the operator when to cut to each camera. This workflow allowed the director to see a live video feed from all sources. The video from the iPad was output to an external TV monitor using Apple’s AirPlay. WWE then triggered a recording on all devices.įor the first test using Switcher Studio, the WWE had a director and operator at the main iPad. Using the “Director Mode” function in Switcher Studio. We also hardwired the primary iPad used for switching using Apple dongles. To help prevent bottlenecks over the local network, we lowered the resolution and bitrate on preview video feeds. The only limitation is network bandwidth.Īdding more cameras was an untested challenge. As a result, the Switcher Studio team produced a special version of Switcher that allows unlimited sources.
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One of the first requirements was moving beyond the four-camera setup. A key part of testing has been defining workflow using mobile devices while meeting WWE’s high standard of quality. The goal? To see if using Switcher Studio with a few iPhones and iPads can achieve TV-style results. Now the WWE is experimenting with a new format for the some 300 events it hosts that are currently not captured on video.
BROADCAST LIVE WITH SWITCHER STUDIO HOW TO
Everyone knows precisely what to do and how to get it done.” “We travel everything from the lighting, PA, screens, backstage sets, television production facilities, generators and satellite transmission facilities, down to catering.
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Our shows begins to load-in typically around 4:00am and everything must be up and ready for production by 2:00pm,” explained Nick Smith, WWE’s director of remote IT and broadcast engineering. “Putting this show on in one day is no small feat. That doesn’t include the hundreds of arena shows that the organization books in venues around the world. Since its inception, it has amassed a global audience of over 36 million.Įach year, WWE televises over 100 events via its SmackDown, WWE Raw and Pay-Per-View events. World Wrestling Entertainment (WWE) is an entertainment company and the largest professional wrestling organization in the world. Lots of equipment, lots of people and lots of time. Creating TV style productions is a big operation.